魇系列"Nightmare Series"

                             ----野孩子的触觉

  

   其实绘画是一种状态，是情绪的宣泄，感情的触觉。曾经沉睡的野孩子在潮流轮回间再次碰触了梦中的世界。每一个人在一生中都会遇到梦魇，我只是拿起了笔，追随并记录了下来。

In fact, painting is a state of emotional catharsis and emotive awareness. Wild Child has been sleeping touched the world in dream in the transmigration again. Every person will encounter the nightmare in his life, I just picked up the pen, following and recording it.

 

 

   当笔触碰到布的瞬间，一切活动都开始变得缓慢，时间也变得静止，欲望笼罩着四周，冷冷疏离的光斑引诱我完成梦里的那些似乎真实却又超越真实的物象。

When the moment the stroke hit the canvas, all activities are beginning to slow down. Time become static, desire envelop all around, the alienated spot lure me to complete those images seems real but beyond the reality in the dream.

 

 

   在青春的记忆里我风趣幽默，画中的梦魇是一个被阻隔的世界。青春是动人的片断，她连接了这两个世界。在青春的记忆里，即使是微小的退色的残片，都可以触碰到野孩子那懵懂的忧郁。画中的世界是在冬日荒芜城市中被带走得自己，那些游荡在原野上，是笑非笑忧郁的脸孔，如同畸形般的女孩儿，讲述着记忆中那些空幻的、灰色的青春物欲。

I was humorous in memory of youth, the nightmare in painting was a blocked world. Youth is a touching fraction, connect the two worlds. In memory of youth, even tiny faded fragments can touch the muddled depression of wild child. The world in painting is oneself who been taked away in the barren city in winter. Those girls who wandering in the weald, with deformed look and smiling but sorrowful face, telling those dreamy and gray material desire of youth in memory.

 

  

   那些红色的暧昧交错的人体，互相分享却又独自生活在自己的世界里，他/她们也许正分享着男人和女人心里的另一种异性。

Vague interlacing of those red body who share with each other but live alone in their own world, now he or she may share the other opposite sex in the heart of men and women.

  

 

   赤裸不再是甘甜的情色，却在我梦中如此真实地展现。

Nudity is no longer the erotica , but so realistic in my dream.

 

  

   那些瞬间的凝固与嬉戏，将我的抵触与不安暴露无遗。

The solidification and larkishness of those moments exposed my conflict and anxiety.

 

  

   在这里，夸张的肢体语言、细长的耳朵、阴郁的表情是掩饰住内心世界的阴影，经过修饰的细微表情、动作和场景，在迷离气氛下反而更加清晰的表现出人物的心理倾向人物充分隐喻内心的表达时，前后区别明显的构图更能充分暴露我所追求的画面人物的戏剧感受。

Here, the exaggerated body language, elongated ears, gloomy expression are the shadow use for concealing the inner world. After a slight modification on facial expressions, movements and scenes, the performance of the psychological trends the metaphorical expression of the heart of the people is more clearly in the blurred atmosphere. The obvious difference between before and after composition more fully exposed my pursuit of the drama feeling of the people in the image.

 

  

   在人性与物性相结合时，我希望让内心的世界接受洗礼，不断在梦境中摸索，让自己的角度更清晰，等着和你一起分享着我梦魇里的秘密。

The moment the material nature combines with the human nature, I hope to receive a baptism in my inner world. I hope to grope in the dream constantly to make my point more clearly, and to wait for sharing with you the secret inside my nightmare.

 

罗秋光《梦魇系列》